![]() One big key to this album’s dynamic sound is exceptional microphone placement that makes the sound both vintage and newly vibrant. There’s a thrilling enthusiasm to their playing with a sense of new musical history in the long-awaited making, wrapping up with enough time to spare to record a delightful big band take on the main “Dial M” theme, but also offer an eight minute suite of Tiomkin’s score for “Strangers on A Train,” which criss-crosses a rousing western sound with big city excitement for a playboy encountering a pleasant psychotic. With Intrada’s long history of sterling re-performances for the likes of “Rio Conchos” and “Knights of the Round Table,” album producer Douglas Fake certainly delivers on the album’s pledges alongside ace conductor William Stromberg and The Royal Scottish National Orchestra. As Tiomkin provided for Gary Cooper’s sheriff with a major deadline in “High Noon,” a thoroughly fun highlight of “Dial’s” score is a rhythmic countdown to attempted murder, a theme joined by brass and symphony for maximum dramatic effect – though there are some surprising jazz licks as well. With lilting violins provide a feminine empathy to Hitchcock’s favorite blonde target, Fans of Tiomkin’s music for a carrot monster from space will appreciate the lurching menace as she’s brassily stalked, the music raging over the movie’s showpiece of strangulation and scissors. But it isn’t long before harp glissandos wipe away that illusion from her eyes as a blackmailed killer is stalking her with a phone cord in mind. ![]() Why Should You Buy It?: With Grace Kelly’s wife’s eyes drifting to a writer who’s way more interesting than layabout hubby Ray Milland, Tiomkin’s rapturously romantic start plays a deceptive, beautifully waltzing game from its heroine’s viewpoint. Leave it to the crowdfunding determination of Intrada Records to rectify the later title with a brand new performance of Tiomkin’s score for Hitchcock’s relatively gimmick-free 1958 dip into 3-D, revealing a boisterously entertaining suspense score that confirms the “High Noon” composer as a master of lethally ticking tension. Corral” and “Rio Bravo” as well as his suspenseful talent with “The Thing from Another World,” “Jeopardy” and “D.O.A.” Yet his symphonically dynamic collaborations with the diabolical filmmaker over the course of “Shadow of a Doubt,” “Strangers on a Train,” “I Confess” and “Dial M for Murder” have remained curiously unsung, and unreleased as soundtrack wholes. What is it?: Next to his ultimately score-bludgeoning partnership with Bernard Herrmann, Alfred Hitchcock’s most prolific collaboration was with Dmitri Tiomkin – a Russian composer famed for his portraits of the Hollywood west with the likes of “Duel in the Sun,” “Gunfight at the O.K. To Purchase the soundtracks from this list, click on the CD coverġ) DIAL M FOR MURDER / PARIS UNDER THE STARS Soundtrack Picks: ‘DIAL M FOR MURDER” is the top soundtrack to own for FEBRUARY 2020Īlso worth picking up: AMERICAN FACTORY, ATLANTICS, BIRDS OF PREY, DIAL M FOR MURDER, DOLORES CLAIRBORNE, GRETEL AND HANSEL, HOFFA, LA VERITE, THE LAST FULL MEASURE, UNDERWATER, UFO and many more!
0 Comments
Leave a Reply. |